The problem is the nature of the mist itself and where it comes from. Clearly, we're in a different time because now we have cell phones and other stuff so it's not literal, but we are very conscious of keeping this version of The Mist in the same overall world as the original was set in.Īs easy as it is to appreciate that approach, the problem is that when one looks at the show in its entirety, the execution is lacking – and it has absolutely nothing to do with cell phones. We are sort of in, let's call it, a parallel universe, I use the term lightly, to the original event. Speaking with /Film prior to the series premiere, the filmmaker explained, David Drayton (played by Thomas Jane in 2007’s The Mist) is never mentioned, and while the show features drama in a mall, a church, a hospital, a police station and more locations, one place that we never see any of the characters go is to the local supermarket.īy making these moves, there is an impression given that the show could be depicting the same events from Frank Darabont’s The Mist but from different characters’ perspectives – and Christian Torpe didn’t exactly do a lot to dismantle that notion. The show debuted just a few months before Spike was to be rebranded as Paramount Network, ratings quickly dwindled after the premiere (according to The Hollywood Reporter), and it was cancelled only a little over a month after the Season 1 finale.īoth adaptations are set in a small Maine town that gets overtaken by a supernatural mist full of danger and death, but notably don’t feature any crossover with protagonists and the principal setting. I use the word “inspire” purposefully, because it was announced from the start that the show would use King’s work as more of a guide than an outline.Īfter getting Stephen King’s stamp of approval and getting picked up by the network then known as Spike, The Mist aired a 10-episode first season in the summer of 2017… but then it died a swift death. About eight years after Frank Darabont’s movie first hit theaters, Dimension Television announced that Stephen King’s novella from the 1985 collection Skeleton Crew would be inspiring a new on-going series, with Danish filmmaker Christian Torpe hired as showrunner and producer. Given the ending the of the film, there obviously was no way that a direct sequel could be produced, so a different avenue was pursued to take advantage of its popularity.

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